Marvel’s Agents of S.H.I.E.L.D.!
“Marvel’s Agents of S.H.I.E.L.D.” is arguably one of the most anticipated shows of the new fall season. And with Joss Whedon as executive producer and co-creator (along with Jed Whedon and Maurissa Tancharoen, experienced Whedonites), it comes supported with the combined fandoms of Whedon and Marvel comics. Before I get down to the praising, here’s my tiny criticism: this pilot is jam-packed. And because of that, the first half moves at a break-neck speed that leaves it feeling rushed. It’s The Avengers in micro but with the added problem of needing to introduce the majority of the characters and deploy them as a team in 30 minutes. Once the team comes together, the pilot actually catches its breath and settles into the final action sequence. And from there, I was hooked.
Whedon fans, rejoice!
Whedon vehicles seldom come without a familiar face or two, and in “S.H.I.E.L.D.” we get J. August Richards from “Angel” and Ron Glass (Shepherd Book) from “Firefly.” And even though this show seems like a meta-pop culture reference just by existing, we still get a barrage of other references, with my favorites being Terminator‘s T-1000, cosplay, and Snow White and the Seven Dwarves.
If that’s not enough, perhaps the strongest indication that we’ve got the Whedon persuasion going on is the subversion of genre norms. The introduction to J. August Richard’s Michael Peterson character initially plays out like an early episode of “Heroes.” By the second half, instead of rising to embrace his abilities for the common good, he does a good job of demonstrating how power corrupts (“it’s an origin story,” he explains about his actions). Similarly, his act of heroism is tainted by the revelation that the woman he rescued at the outset is connected to his tech (she’s his doctor).
Whedon fans, take heed!
Yes, Joss Whedon’s name is splashed in all the right places, but the show still lacks a certain, obvious Whedon-y stamp. Not that it’s a problem, but initially the pilot plays as a really good impression of Joss Whedon writing; I found that distracting, especially all of the humorous bits. The lines had the same rhythm of a typical Whedon quip, but it lacked his voice. In other words, (and this might sound harsher than I intend it to come across) it sounds like Buffy fan-fiction I wrote in middle school. It’s striving for Whedon but failing, especially if you are experienced with the real deal.
Tie-ins from the Marvel Universe
I think I’ve seen all the Marvel Phase One movies and as a result have working knowledge of the callbacks to those plotlines in the pilot. Honestly, the baseline for what to watch prior to getting into the show is The Avengers. I wouldn’t be surprised if there are even more references that went straight over my head. But that’s okay, because I may have missed them but I didn’t feel like I was missing them, you know what I’m saying? I don’t think any of the Marvel Easter eggs in the pilot would significantly hurt a blank slate fan from tuning in, which is very good. However, knowing the references definitely enriches the viewing experience. Some of those things:
- The attack on New York from The Avengers. The world has now seen superheroes and aliens. It’s a brave new world where these figures are revered like the fictional heroes that they are: just like in our reality, you can own your very own Hulk figurine, but in Marvel’s world you get to worry about meeting him in person. (Sort of like, “So They Say” from Joss’ Dr. Horrible’s Sing-Along Blog…am I right?). Their exposure is a direct link to the mission statement of the new S.H.I.E.L.D. team and the show itself.
- Maria Hill. Further linking us to The Avengers film, Cobie Smulders reprises her role as Maria Hill, who along with Agent Phil Coulson, provides a direct link to the movie universe. With “How I Met Your Mother” ending, it’s possible that Cobie will make herself available to “S.H.I.E.L.D.” in subsequent seasons. Right now I feel optimistic in predicting another season since the premiere drew in the largest audience for a network drama debut in four years.
- Speaking of Agent Coulson, he is indeed back. While we initially get a lame explanation about how Nick Fury faked Coulson’s death to rally the Avengers and a running joke on Tahiti, something else is up. (“He really doesn’t know, does he?”). The guess on everyone’s mind seems to be: Life Model Decoy.
- Chitauri. The opening action sequence in Paris finds agent Grant Ward on the hunt for a piece of Chitauri tech, the alien race that invades New York in The Avengers.
- Best nickname for/allusion to Loki?: “Asgardian Mussolini.”
- Dr. Erskine. The doctor who perfected the super soldier serum used by Captain America in World War II is name dropped when the team attempts to figure out the tech on Michael Peterson.
- Extremis. As part of his transformation, Michael Peterson is revealed to be suffering the effects of “Extremis,” the tech developed by Aldrich Killian (Guy Pearce) in Iron Man 3. The explosion that kicks off the pilot is also revealed to be caused by another test subject under the effects of Extremis.
It’s no surprise that “S.H.I.E.L.D.” gifts us with a diverse, compelling ensemble. Along with Coulson, we meet: Melinda May (Ming-Na Wen), an agent who can obviously kick-ass but was perfectly riding a desk job for unknown reasons; Grant Ward (Brett Dalton), another agent with an implied troubled past; Skye (Chloe Bennet), a blogger who (again, for reasons unknown) wiped her identity clean; and Leo Fitz (Iain De Caestecker) and Jemma Simmons (Elizabeth Henstridge) as the geniuses in charge of all things science and technology. I am particularly excited to see what the show does with Iain De Caestecker, if only because I really miss “The Fades” and I’m excited for this to be his new gig.
I’m incredibly excited to see what this season of “Agents of S.H.I.E.L.D.” has in store and personally have high hopes for its trajectory and longevity.