Let’s Pretend the Independent Spirit Awards are the Oscars in 2012

I have officially expanded my award season repertoire with rentals of 50/50, Margin Call, and Drive. One problem: it doesn’t give me much headway when it comes to the Academy Awards race.

But, taking a look at the nominees for the Independent Spirit Awards, airing the day before the Oscars, I feel much more on top of my game. Most movies I thought mattered this year are being honored at the ISA. (Of course The Artist and The Descendants are still nominated for Best Feature, sigh).

But what else do we have? 50/50, Beginners, Drive and Take Shelter. I can’t wait to check out Take Shelter and I am very pleased to see Best Feature nods for Beginners and Drive.

Under Best First Feature we have: Margin Call and Martha Marcy May Marlene.

The Best Supporting Male category mainly serves to give me a confidence boost because I have seen all of the films: Albert Brooks for Drive, John Hawkes for MMMM, Christopher Plummer for Beginners, John C. Reilly for Cedar Rapids, and Corey Stoll for Midnight in Paris.

It is a little odd to see Shame and Melancholia under Best International film but no complaints here.

And finally, Margin Call gets the Robert Altman Award (given to one film’s director, casting director and its ensemble cast) and oh yes, it deserves it. I could hardly peel my eyes from the screen as the movie unfolded and a big part of that has to do with the amazing cast. I always tend to believe Zachary Quinto is the MVP of anything he is involved in (Heroes, Star Trek, American Horror Story) but everyone else was up to the task of challenging him on that, even Penn Badgley (shockingly). And I have to say, watching this was far more entertaining than listening to a two hour podcast on the origins of the financial crisis for my International Finance class.

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About Staciellyn Chapman

Grad student at the School of Conflict Analysis and Resolution at George Mason University. This blog is an attempt to condense the craziness that is my TV viewing habits (with the occasional aside into film, music, and general life).

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